Producer [Produced By] – Russ Russell, Simon Efemey
Vocals – Mark "Barney" Greenway
Total time: 48:35
Recorded at Parkgate Studios, England 26 May - 8 June 2000. Mixed 13 - 19 June. Produced for the House of Absurd. Mastered at Soundmasters.
Cover artwork by MID for Bonehive Designs.
Track 1 "Taste The Poison" credited inside the booklet as "Take The Poison". Track 5 "Volume Of Neglect" credited inside the booklet as "The Volume Of Neglect". Track 9 "Cure For The Common Complaint" credited inside the booklet as "Cure For A Common Complaint". Track 10 "Necessary Evil" credited inside the booklet as "A Necessary Evil". Track 11 "C.S. (Conservative Shithead) Part 2" credited inside the booklet as "C.S. (Conservative Shithead) Part II". Track 13 "(The Public Get) What The Public Doesn't Want" credited inside the booklet as "The Public Get What The Public Doesn't Want". Track 14 contains a spoken outro after about 7 minutes of silence.
Band : Napalm Death Album : Enemy Of The Music Business Country : Birmingham, UK Genre : Grindcore, Metal. 50 видео. Napalm Death - Enemy Of The Music Business 2000. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Enemy of the Music Business is the ninth studio album by the British band Napalm Death, released in 2000. This album, along with Words from the Exit Wound, are the only Napalm Death studio albums that were released only on CD until 2013. This is the very last release that has Jesse Pintado actually performing. Listen free to Napalm Death Enemy of the Music Business Taste the Poison, Next on the List and more. 14 tracks 48:12. Enemy of the Music Business is the ninth album by the British band Napalm Death released in 2000. This album along with Words from the Exit Wound are the only Napalm Death studio albums that were released only on CD. Songs in album Napalm Death - Enemy Of The Music Business 2000. Napalm Death - Taste The Poison. Napalm Death - Next On The List. всегда поражало в этой группе впрочем, не на самых первых альбомах удивительное сочетание брутальности и мелодичности. шикарная работа. Cure For The Common Complaint-БОМБА. Хотя если про качество звука, то альбом sepultura 96 года, который считается чуть ли не лучшим у них еще хуже на мой взгляд, несмотря на безусловный успех. Album 2000 14 Songs. Napalm Death. Metal 2000. Taste the Poison. While no one should ever accuse Napalm Death of being complacent, there's nothing like record label troubles to force a band to pool its collective energy and refocus its intent. Napalm's previous two records, Inside the Torn Apart and Words From the Exit Wound, were every bit the grind metal excursions fans expected them to be, although they seemed a bit uninspired in comparison to the band's benchmark releases Scum, Harmony Corruption, and Fear Emptiness Despair. Enemy of the Music Business is the ninth studio album by Napalm Death, released on 25 September 2000 by Dream Catcher and Spitfire Records. Enemy of good death metal. firebee1. The title and influence for the corporate hatred lyrics on the album came from the frustrations and troubles that Napalm Death were having with Earache Records. This album saw the band return to a more extreme death metal sound instead of their experimental material witnessed on the last few albums. There is a hidden track after Fracture in the Equation 01:13 the track's total length is 11:08 with silence included. Recording information: Recorded at Parkgate Studios, England 26 May - 8 June 2000 Mixed 13 - 19 June. Produced by Simon Efemey & Russ Russel for The House o. Formed in England in 1982, Napalm Death are considered the originators of grindcore and one of the most influentual bands in metal. Their debut album, Scum, showcased them as an unrelenting metal act, with their mission clearly being the sacrifice of convention for brutal heaviness. The only foreseeable problem with Enemy of The Music Business is that when played as background music or just to be played, it feels repetitive and boring. It's only when you turn it up, listen to the nuances, and pay attention that you hear the awesome skill and melodic guitar parts that make the entire album worth hearing
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